Ragnarok Has Turned the Asgardians Into Gods Again. Theres a moment in the newest Thor Ragnarok trailer that suggests something fascinating about the future of the Marvel Cinematic Universe. As Hela gleefully chokes the life out Thor, she takes a moment to remind him just who and what she is. She is not a queen. Arch2o-3D-Studio-Max-600x341.jpg' alt='Dystopia City 3D Software' title='Dystopia City 3D Software' />The world is fascinated with a newly discovered photo that claims to show Amelia Earhart being held by the Japanese in 1937. Thats supposed to be her in the photo. Technology can be viewed as an activity that forms or changes culture. Additionally, technology is the application of math, science, and the arts for the benefit of. The privacy dashboard. To use everything on this website, turn on cookies in your browser settings. Blockhood is a neighborhoodbuilding simulator that celebrates the diversity and experimentation of cities and the unique ecosystems within them. 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Clarkes axiom about advanced technology being indistinguishable from magic in order to make the events of the movie fit into the established logic of the MCU. Bear in mind that when Thor was released back in 2. MCU was a much, much smaller place, composed of the Hulks solo film and two Iron Man features. Up until that point, the world that Marvel had invited audiences into was wholly defined by science and technology. The decision to weave those same themes into Thor made sense if only for the fact that getting people into the idea of a strapping, Norse thunder god running around in a realistic universe of comic book characters is easier if you downplay the whole magic thing and repackage it as super science. But in the time since Thor, the MCU has expanded to include many new worlds and dimensions, and the presence of other distinctly mystic elements. From Barcelona comes Alike, a short animated film by Daniel Martnez Lara and Rafa Cano Mndez. 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Dystopia City 3D Software' title='Dystopia City 3D Software' />Compared to when the Asgardians were first introduced, the idea that theyre merely a far flung race of aliens now feels like a rather stale and ham fisted way of ignoring what Thor told us about himself from the jump hes the god of thunder. While Marvels first phase might have milked Clarkes axiom for all its worth, Thor Ragnarok offers up Occams razor as an alternative and is giving us a literal clash of the god, thus proving the MCUs a more interesting place when we embrace the idea of the divine being real. There is a scene depicting a battle between Hela and Valkyrie that that looks and feels like a living, breathing Peter Paul Rubens painting moving in slow motion. Valkyrie leads a army of Valkyrior charging at Hela from the sky, hundreds of them riding on the backs of winged horses, weapons raised high. Hela stares into the oncoming horde with a murderous grin on her face. The image is, for lack of a batter phrase, unabashedly baroque. It plays up the contrast between light and shadow and highlights the intensity of the scene by erring on the side of the melodramatic. Put simply, its the sort of imagery that we associate with epics about the gods. As we near the end of third phase of Marvels films, with the fourth clearly on the horizon, its been obvious that the studio is trying to make different kinds of superhero comic book movies, movies that broaden the way we think of the genre. Its given us a spy thriller Winter Soldier, a WWII pic The First Avenger, and a psychedelic acid trip Doctor Strange so far. With Ragnarok, Marvels exploring the idea of the modern myth in a very literal way. We wont know how Ragnarok stacks up against the other two Thor films until it hits theaters later this year. But if the glimpses weve seen of it are any indication, Ragnarok wont just be the end of Asgard, itll be the beginning of a new age of gods for Marvel.